It is official, Eric Avery is finally ready to make Jane's Addiction whole again (if only for one night). The band has reunited on several occasions, including the recording of 2003's Strays, with different artists filling in on bass. Avery has declined to take part until now. The occasion is the upcoming NME Music Awards (the first to take place in the U.S.) during which the band will be presented the NME Godlike Genius award for their lifetime contributions (not sure if Navarro's stint hosting Rock Star will be included -though I offer no apologies for loving the show). The relationships of the four groundbreaking band mates have been on-and-0ff throughout the years, with each working collaboratively, solo, as well as in other capacities with other bands. You would seriously need a complicated organizational chart or ven diagram to explain it all. Avery had this to say of his decision.
"I have always considered reunions to be a way to make a quick buck, and it sells short my own experience of it the first time around," Avery said in a statement. "The reason I started to even consider this is because it's honoring the past instead of trying to recreate it."The ceremony will be held on April 23 at the Goldenvoice El Rey Theater in L.A. (very appropriate indeed). NME will be offering a live stream of the awards via MySpace.
NME | NME Awards | NME MySpace
Now if I may interject my own commentary. Jane's is a truly special band in so many ways. Personally, they marked a significant transition in my music tastes. In the mid 80's I was something of a Metalneck. I had made the gradual progression from the Bon Jovi's and Cinderella's to the Metallica's and Megadeth's over the previous few years. I played in a band that consisted of bad metal covers and even worse original metal songs.
I credit Jane's Addiction with opening a new awareness and curiosity in me. I will never forget watching MTV and seeing the video for "Mountain Song" one night in the fall of 1988 as I was in my freshman year of high school. It completely blew me away. It was heavy, but it also had this "alternative" vibe, and the video was artsy (for the time). The following weekend I approached a wall of cassettes, my eyes darting back and forth between the "Heavy Metal" and "Alternative" sections in my local Camelot, trying to decide where this band would be found (it was in the "Alternative" section). I stood there for a while trying to decide whether I wanted to jump; this was no easy decision since I would not be able to buy another tape until the following weekend. I probably even put it back and picked it back up several times before finally deciding to plunk down my weekly allowance on Nothing's Shocking.
The album's opening track, "Up the Beach," starts with a repeated bass line as it builds into a soaring track with minimal lyrics. "Here we go... Home" sings Perry Ferrell. I had no idea at the time how true those words would resonate with me. But here I sit some 20 years later (Christ that's a long time) writing about it. I could write a thesis about the rest of the record, the duality of their follow-up, Ritual de lo Habitual, and the ultimate demise of the band as well as the creation and contributions of Lollapalooza until its sad decline and welcomed euthanasia. Instead, I'll leave it at this, Jane's Addiction beautifully combined the anger of punk, the aggression of metal, the technical prowess of art/prog rock and the sensitivity of the day's alternative acts. They also wrote great songs and managed to open at least one mind, though I suspect there are many more.
1% (Jane's Addiction)
I Would For You (Jane's Addiction)
Ocean Size (Nothing's Shocking)
Mountain Song (Nothing's Shocking)
Three Days (Ritual de lo Habitual)
Then She Did (Nothing's Shocking)